William deMille reluctantly became a story editor. [165] This film would be his last. [10], Cecil B. DeMille's mother, Beatrice, a literary agent and scriptwriter, was the daughter of German Jews. His daughter Cecilia took over as director as DeMille sat behind the camera with Loyal Griggs as the cinematographer. [151] DeMille would reminisce into a voice recorder, the recording would be transcribed, and the information would be organized in the biography based on the topic. [32] From 1904 to 1905, DeMille attempted to make a living as a stock theatre actor with his wife Constance. Hijo del dramaturgo Henry Churchill DeMille, en cuyas obras particip durante su infancia y primera adolescencia, curs . Date of Death: January 21, 1959. Consequently, he formed the DeMille Foundation for Political Freedom in order to campaign for the right to work. Few words can describe the monumental Cecil B. DeMille. In his first instance, in 1917, he remade The Squaw Man (1918), only waiting four years from the 1914 original. His other well known films include The Sign of the Cross (1932), Cleopatra (1934), Samson and Delilah [] "A dreadful showoff. His films were distinguished by their epic . [130] From 1936 to 1945, he produced, hosted, and directed all shows with the occasional exception of a guest director. [110] After the release of DeMille's The Godless Girl, silent films in America became obsolete and DeMille was forced to shoot a shoddy final reel with the new sound production technique. He stands as one among the famous individuals for he was a creative filmmaker. He claimed he abandoned the project in order to complete a different project, but in reality, it was to preserve his reputation and avoid appearing reactionary. [37] Despite his reputation for extramarital affairs, DeMille did not like to have affairs with his stars, as he believed it would cause him to lose control as a director. [100] Consequently, Beatrice deMille introduced the Famous Players-Lasky to Wilfred Buckland, who DeMille had known from his time at the American Academy of Dramatic Arts, and he became DeMille's art director.
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